灯饰毕业设计论文

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1、南京工程学院 本科毕业设计（论文）题目：专 业： 工业设计 班 级： 工设（2） 学 号: 203030915 学生姓名： 包 蓓 指导教师： 杜 晶 晶 起迄日期： Graduation Design (Thesis)Household modelling of lamps and and lanterns designByBao beiSupervised byTeaching Assistant. Du jingjingDepartment of Automation Nanjing Institute of TechnologyMay, 2011摘 要自从1879年托马斯。爱迪生发明了

2、白炽灯以来，无数设计师为其设计灯具形态，演绎出吸顶灯，落地灯，壁灯，吊灯，台灯等众多形式。如果说灯得发明给人们带来了生活上极大的便利，今天，灯具的设计则是在照明功能基础上，更多的满足人们的文化需求和情感需求。我国的灯具设计得到的重视虽然比以前多，但跟西方国家比，仍纯在一定差距，我们应该认识到，灯具的设计开发过程，是一个将灯具的使用价值，文化价值和情感审美价值融为一体的过程，这个过程就是人文要素的注入过程。本文以用户的个性需求与社会发展为出发点，通过大量的灯具实例分析和理论推理，挖掘到灯具基于人文要素的设计发展趋势，提出基于区域的文化要素情感要素的概念化表达，确立了以“和”为本的灯具审美趋向，构

3、建了基于人文要素的，以人文关怀为导向的灯具设计体系：根据产品语意将灯具分为造型象征意义和造型实体两个方面，进而分析人文要素如何体现于灯具中。造型象征意义，主要是通过文化整合和情感脉络的形成来体现。文化整合，是以基于区域的文化要素为分析重点结合大量的灯具实例分析总结人文要素在促进灯具设计理念的形成和主题定位过程中的内涵及表现，为形成富有区域特色的灯具形态做好文化铺垫，情感脉络，是以情感要素的内涵表现来形成，再结合前一个层面中确立的设计理念和主题，确立灯具的主题风格和情感特征，最终确立灯具造型的象征意义。造型实体是通过造型艺术要素的具体物化表现，实现由造型象征意义确立的造型象征，再结合理性要素的体

4、现，最终实现灯具的造型实体。关键词：文人要素：灯具：区域文化：情感要素：造型艺术要素ABSTRACTThe light is the essential energy that creates the life , our modern living is closed with the light . Since Thomas Edison invented the incandescent lamp in 1879, innumerable designers have benn desiging lamps, deducting the floor lamp , the wall lam

5、p, the hanging lamp, the desk lamp and so on .The invention of incandescent lamp has brought enormous convenience to life, and the lamp desgin is satisfying for peoples cultrual life and the emotional demand.In China, there are still much deficiency in lamp desgin, such as the laggard desgin idea ,

6、the singular content and the weak fundamental research, etc. The current lamps mainly take refllecting technical specification and imitation western lamps as the goal. We should realize that the lamps desgign performance is the inosculating of the use value, the culturl value and the emotional value

7、.This paper began with the users individuality demand and the social development, excavated the development tendency of the lamp desgin based on the human element, generalized the conceptual definiens based on regional curtual factor, took “summation” as the lamp desgin esthetic orientation, constru

8、cted the lamp design systemon the humanism element in the lamp: The model symbol signifcance was mainly expressed by the culture integration and the emtion-venation .Desgin principle and subject were formed in the culture conformity based on regional cultural factor.The style and emtional characteri

9、stic were summed up in the engendering prcoess of the emotion-venation. The emotional factor was manifested by the introjecting of the essentional concern, the situation filter and the sublimates of the ideal-condition,and finally established the model symbol significance of the lamp. In the model e

10、ntity aspect ,the model characteristic concreated by the modeling symbol significance was realized by the model art factor, controlled with the rational factor. At last the model entityof the lamp appeared.Key words：Humanism element: Lamp: Regional culture: Emotional factor: Modelling-arts factor目 录

11、第一章 绪论11.1研究对象的选取11.2灯具的研究价值21.3 课题研究背景61.4 研究目的和意义101.5研究方法111.5论文框架11第二章 基本概念122.1人文要素122.2灯具中人文内涵的传播122.3本章小结14第三章 人文要素之基于区域的文化要素体现153.1 灯具设计中的文化整合153.2 基于区域的文化要素的体现153.3文化整合的实例分析163.4本章小结19第四章 人文要素之情感要素的体现204.1灯具情感脉络的形成204.2情感要素的体现234.3情感脉络的形成实例分析234.3本章小结27第五章 人文要素的物化表达285.1 灯具造型特征的实现285.2 造型艺术